My mum’s family is from Limerick, and my dad’s family is from Dublin, so I am a bit of a mix.

I started acting in TV and film when I was about eight years old, and I remember being fascinated by the camera even then. I have moved more behind the camera, and I am still endlessly interested in its possibilities.

Although I mainly shoot on film, once I have scanned the negatives, I love working with them in photoshop, often shooting with the aim of combining elements of different shots into one final piece. That is not something I would have thought about when I started shooting with disposable cameras from the pharmacy.

I like to think that a photograph should have at least two different things going on within the frame. The subject and its surroundings should reflect and enhance the other. And it should hopefully create an emotional reaction in the viewer.

The challenges of the vocation are trying not to second guess yourself, or repeat what you have done before, without beating yourself up too much in the process. The rewards are deep spiritual fulfillment and emotional wellbeing. That is the hope, anyway…

Having my first piece accepted to the RHA in Dublin was a big highlight – it spurred me on to keep going. Being shortlisted for the inaugural Portrait Prize at the National Gallery of Ireland, and having my work exhibited there, was another special moment for me.

Ireland offers a great combination of a wild landscape, and an even wilder population.

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@hughoconor

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